![]() The color and grain pattern of the siris used for the back and sides are indeed comparable to some examples of walnut, with a three-dimensional sheen to the striping that is also reminiscent of some varieties of mahogany. Like all Performing Artist models, the DCPA4 Siris’s bridge is distinguished from Martin’s standard design by two points behind the bridge pins. The single-layer white ivoroid body binding is similar in color to the Sitka spruce top, which makes it look (from a distance) as if there were no binding on the top. Its dreadnought body includes a cutaway that allows full barre chords at the 14th fret as well as easy single-note access all the way to the final 20th fret, and the fingerboard’s position markers are set into its bass side, between the fifth and sixth strings. ![]() ![]() There’s nothing “vintage” about the looks of the DCPA4 Siris. ![]()
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